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Winter waves at Charmouth
By Phil Hodges
Some places come alive with the right light all you have to do is be there at the right time with a camera, Panasonic MZ7 |

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Ularu
By Trevor Mace
The local tribe do not like tourists climbing Ularu, Central Australia. They feel responsible for the many accidents that befall them. Despite notices to this effect, many people do attempt the climb and I was taken by the 'antlike' image this presented
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Golden Ears
By Dave Wicken
Using Photoshop, I desaturated the image, created the golden colour using 'curves' and then added a fair amount of sharpening using 'unsharp mask' to give it a more graphic quality |

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Boots Galore
By Clive Bareham
Axe Vale Festival. A dull rainy day was brightened up by an appropriate display of colourful boots |
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Daddies Hat
By Phil Verplancke
A High Pass Filter created by Gaussian Blur, invert and merge, desaturate and clean up, a little final dodge and burn can help clarify the lines |

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Barn Own
By Chris Perfect
Nikon D70 shot as a raw file and processed with Nikon Capture NX2. Lens Sigma 18-200 at 135mm 1/640 f/6.3 ISO 200 |
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Sunday Morning
By Bill Johnson |

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The Minster
By Derek Browning |
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Old Times
By Alan Rose |

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Fit for purpose
By Ann Cooke |
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The Watermill
By Michael Thorpe
A slow shutter speed at Sidbury Mill Gallery gave movement to the shot of the working mill |
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Iconic Tuscany
By Barry Castle |
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Pheasant
By Jo Rusling |
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Ammonite
By Paul Frisby |
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Lyme Regis
By Ian Crawford |
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Vietnam Lady
By Julian Shaw |